Compositional tools creator Spitfire Audio is delighted to launch THE GRANGE — its latest, eagerly-anticipated sample-based virtual instrument instalment for Native Instruments’ KONTAKT PLAYER platform, capturing three legendary drummers recorded at one legendary location — at The NAMM Show 2015, January 22-25 in Anaheim, California…
In what has to be the most historic set of recordings made for a sample library to date, Spitfire Audio proudly presents three legendary drummers recorded in one legendary location… Headley Grange. Anyone with a modicum of historical rock music knowledge knows that this former Victorian workhouse, a private — some say haunted — residence nestled in the heart of England’s rural Hampshire, has played host to some of the most influential Sixties and Seventies recording artists that this country has produced, with fellow Brits Bad Company, Fleetwood Mac, and Genesis all spending some productive time there. This unassuming family home really made its mark on the rock music map with the timely arrival of the legendary Led Zeppelin, who made some remarkable recordings there when writing parts of their eponymous Led Zeppelin III and Led Zeppelin IV albums, as well as their Houses Of The Holy and Physical Graffiti fifth and sixth album followups, between 1970 and 1975. Indeed, it was here in 1971 that producer Andy Johns and drummer John Bonham conspired to create what has come to be regarded as the definitive rock drum sound for Led Zeppelin IV closer ‘When The Levee Breaks’. Sampled (early on by British synthpop pioneers Depeche Mode and many more since) and long since imitated on a legion of rock recordings, Roger Taylor of Queen — no stranger to distinguished drumming himself — has described it thusly: “It was the benchmark — the sound that so many people strived for. It just sounded like thunder. We were like, ‘Wow!’” Wowing more musicians, somehow Spitfire Audio achieved the unthinkable by convincing the owners of Headley Grange to allow an assembled crew of outstanding talent to record a final set of sublime sessions spread over a five-day productive period during summer 2014 — remarkable, really, since nothing had been recorded there for 40 years prior to those doors being opened one more time. With a remote recording studio set up ready to capably capture this once-in-a-lifetime opportunity to work with three of the best drummers in the world, when arriving at The Grange to do what he does best Red Hot Chili Peppers’ Chad Smith duly declared, “I’m home!” He then promptly proceeded to kiss the floor of the hallowed hall before playing his heart out! As an ardent fan of Led Zeppelin and John Bonham, it only seemed fair that Smith should be the first to follow in Bonham’s footsteps and subsequently set about creating an awesome set of loops, breaks, beats, and multi-sampled hits for future generations of music-makers to incorporate into their own productions. The following day saw Spitfire Audio’s privileged production team being joined by rock royalty incarnate as Queen’s Roger Taylor delivered some highly distinguished drumming thunder of his own in that same space. He will rock you, indeed! Completing this triumvirate of percussive power, session stalwart Andy Gangadeen (Massive Attack and many more). As one of the most popular drummers in the UK — one whose interest in electronics led him to develop techniques allowing programmed sounds to be realised live through his kit, Gangadeen genuinely succeeded in bringing his own unique percussive take to The Grange, gushing, “It’s a once-in-a-lifetime opportunity to be in this space — something that will never leave me, so thank you!” Working with these three outstanding performers permitted Spitfire Audio to ultimately create a modern-sounding, versatile set of superlative samples, recorded via a combination of the finest and rarest classic mics, preamps, and a two-inch 24-track Studer multitrack recorder, ready to be transformed into a flexible sample-based virtual instrument to die (or drum up some money) for. For it was always Spitfire Audio’s artistic intention to professionally pick up the Headley Grange recording baton where those influential recording artists had long since left off and forge forward to sow the seeds of something new — namely, a definitive drum sound for music-makers the world over. The result? Historic sampling for the future is now here for anyone to hear in THE GRANGE. Getting his hands on a beta version, Spitfire Audio Director Christian Henson — an award-winning composer in his own right— had this to say: “At last here is a drum library that sounds like a standout set of recordings and performances — the kind of drum sound that would make you put down your newspaper if it were to come on the radio. As with all Spitfire Audio products, we endeavour to have things spring out of the box, but with this one it violently kicks its way out, violating your senses in all the right ways! The library is a combination of three deeply sampled kits with every hit played by three drumming legends alongside an embarrassment of grooves, loops, phrases, and rolls. Spitfire Audio’s decade-long experience in building the finest sample instruments in the world delivers also on a classy, easy-to-use interface that allows you to tweak away with ease.” Spitfire Audio is showcasing THE GRANGE on a display designed to give everyone ‘hands-on’ experience of ‘The Spitfire Way’ in Hall E, Booth #6945 at The NAMM Show 2015, January 22-25 in Anaheim, California. Come check it out.
For more detailed information, please visit THE GRANGE webpage here: Link