Die Firma XILS-lab aus Grenoble, Frankreich, hat das Multi Effekt Plugin R.A.M.S.E.S. veröffentlicht. R.A.M.S.E.S. steht für „Rhythm And Motion Stereo Engine System“. Die Software ist in diversen Formaten für PC und MAC verfügbar. Bis Ende Dezember ist das Plugin zum Einführungspreis von 59,- Euro zu haben. Danach kostet es 79,- Euro. Hier die Pressemitteilung:
Developed in close collaboration with fellow French sound design doyen Le Lotus Bleu (a.k.a. Laurent Bourgeon) to bring any audio signal to life with rhythm and motion, R.A.M.S.E.S. stands for Rhythm And Motion Stereo Engine System. So what does that
mean, exactly? Well, try imagining a multi-effect plug-in that adds (or removes) true stereo depth and space; reshapes, re-filters, and re-envelopes every sound source; creates hypnotic and robotic sequences, yet ably adapts to the most subtle or complex human rhythms; and makes digital synths sound analogue! Anyone who thinks that sounds too good to be true… think again!
So how does it do all that, then? Well, in a nutshell, R.A.M.S.E.S. takes the so-called mask concept first introduced in XILS-lab’s Le Masque: Delay plug-in — whereby only masked parts of a time-based grid zone area are processed by the delay and associated controls to produce even more rhythmically flexible results — and effectively magnifies it threefold, thanks to dedicated grids based on masks for FILTER, PAN/LEV, and ADVANCED processing. Put it another way; think of masks as being like advanced step sequencers, only the length and position of each ‘step’ (or mask) is freely assignable. And thanks to their respective in-depth controls — total control of the multimode analogue FILTER with dedicated hardwired envelope and LFOs; control PAN and volume (LEV) with dedicated envelope and multi-wave LFO; modulate any of 91 R.A.M.S.E.S parameters (ADVANCED) — each of those three grids are capable of producing some seriously radically rhythmical effects, either independently or when applied altogether.
And that’s not all. The R.I.T.A. (Realtime Interactive Transformation Area) performance module situated below the grid area(s) can control R.A.M.S.E.S. by playing live on a MIDI keyboard using M. WHEEL (modulation wheel), VELOCITY, KB TRACK (keyboard tracking), AFTERTCH (aftertouch), P. BEND (pitch bend), MIDI (note on, note pitch) data, and more besides.
Other dedicated controls include those found in the multimode FILTER main area, where users can select filter type from LP12 (two-pole lowpass), LP24 (four-pole lowpass), BP6 (two-pole bandpass), BP12 (four-pole bandpass), and HP12 (two-pole high- pass), as well as set the FREQ. (cutoff frequency) of the filter, RES. (resonance) — from no resonance to self-oscillation, and DRIVE, increasing the internal non-linearity response to add analogue-sounding distortion to the incoming signal.
As implied by full name, the total audio path in R.A.M.S.E.S. is in true stereo, so it should come as little surprise to learn that users can control precisely the stereo balance point using another set of specific controls in the true stereo engine and VCA/volume main area: BALANCE (by moving the red ball, the signal can be placed in the left, right, or centre of the stereo scene); STEREO WIDTH (adjust the width of the bar to reduce or enlarge); LEVEL (adjust the general output level at the end of the plug-in’s signal
path); CRUSH (adjust a simple, yet efficient bit/sample rate reduction, adding more digital distortion to the sound).
R.A.M.S.E.S. of course comes complete with a healthy selection of professional presets to showcase its abilities and act as starting blocks for users’ own creations. Bearing in mind that it is a multi-effect plug-in, presets are categorised as follows: Hybrid (R.A.M.S.E.S. simultaneously controls filter, pan, volume, crusher, and spray delay, including added realtime modulation for complex modulations); Filter Only (R.A.M.S.E.S. only controls the filter — sweeps, wah-wah, auto-wah, re-filter, and step sequences, etc); Level Only (R.A.M.S.E.S. only controls the volume (fade-in, fade-out, tremolo, and trance gate, etc); Pan Only (R.A.M.S.E.S. only controls the balance/pan — auto-pan, pan sequences, and narrow to large stereo); Realtime Only (control R.A.M.S.E.S. with any keyboard or MIDI device using its R.I.T.A. engine).
Ramses The Great is considered by historians to have been the greatest ancient Egyptian pharaoh of them all. As a rhythm and motion multi-effect plug-in par excellence R.A.M.S.E.S. is also a pretty powerful proposition in its own right, regardless of its inspired name. Now users are only limited by their imagination, why not make musical history with R.A.M.S.E.S.
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